Inspired by Albrecht Dürer (1471 – 1528) – Great piece of turf (1503) – Lead pencil / Watercolour – 8,26 x 6,30 inch
National Day of Mourning for the kingdom of wild grasses, the Queen of Ribworts died during the night. A long and painful illness obviously due to a new weed killer the municipality uses. The kingdom has suffered many losses during the last three months.
Oil on canvas – 10,70 x 16,18 inch – Unique work – SOLD
It is the old, old story again. Juliette uses her overly forceful and abrupt language when telling me: “Romeo, as you are the male, it’s up to you to find a roof for our future offspring! “. And I will do it without arguing.
Oil on cardboard – 8,66 x 6,30 inch – Unique work
Ellen Ripley had a tough night. She heard strange noises coming from the attic, again. She’s out of option now. It has been a month since, every night, she detects like a piece of scrap dragged on the floor on purpose. It is metallic, she is pretty sure of it. Probably dormice playing with scraps of sculptures stolen from her workshop. She has already mentioned it with her friend Kane, on the phone. But he hardly paid attention to the conversation of a crazy person lost in a small village of the center of France, more interested by the Super Bowl.
Inspired by John Johnston (1753 – 1818) – Still Life (1810) – oil on wood – 9,84 x 13,86 inch
Geralt de Riv finally reaches his destination. He can see the towers of the castle of Valencay. It’s about time to take a break for Ablette, his trusty steed. He rides since dawn to join an inn named Chez Babeth where amazing stuff happen.
Inspired by Odilon Redon (1840 – 1916) – Vase, poppies, daisies and chamomile – oil on canvas – 13,07 x 9,49 inch
” You’re not funny. You never was. “. These words keep ringing in her head. She still remembers his icy look. Yet, he got what he wanted. But obviously it wasn’t enough. Humiliation is a much better game. Everything is about power, the mental power acting on the other one at that moment. Nothing else exists.
Inspired by Eugène Boudin (1824 – 1898) – Lambs and sheep dog (around 1854 – 1860) – Pastel on grey paper – 9,45 x 12,60 inch
Jaska loves her job. She gets it from her mother, who had it from hers. A family heritage that makes Alfonse ivery proud. In the late winter she is impatient as ever. She has been waiting for this moment for a very long time. The green pastures, the mountain, the small house sheltering her and her master. All so many rituals that happen during warmer weather. The herd promises to be large this year. The boss bought a few ewes that will soon give birth. New born that will need to be brought up the first days to follow the elders through the fields. So much danger awaits all these pretty white wools at nightfall. But Jaska is not worried, she is used to being in charge, it’s already her fifth season.
Inspired by Eugène Boudin (1824 – 1898) – Grazing cows (around 1854 – 1860) – Charcoal / Pastel on blue paper – 9,45 x 12,60 inch
– Hey Carole, you look like you slightly put on weight, don’t you think ?
– No I don’t think so. I am pretty sure it’s my suit. It’s tightly bound. And today for lunch, there was spaghetti bolognese at the cafeteria …
“If I ware you, I would have taken a green salad!”
Inspired by Eugène Boudin (1824 – 1898) – Grazing cows (around 1854 – 1860) – Pastel on white paper – 9,45 x 12,60 inch
The hills are colored in a deep blue green, the trees touch the sky and the meadow fancies a tender green and a dazzling yellow. Where is she ? Phoebe looks around her. She recognizes every member of the herd. All her fellow-sufferers are here, so real, so alive. Yet, when she tries to search her memory, the last ones are totally different.
Inspired by Jean Siméon Chardin (1699 – 1779) – A mallard duck fixed on a wall and a bitter orange (1730) – oil an canvas – 18,15 x 15,04 inch
It’s Sunday today, that Toby is pretty sure. He has been spying on his father since yesterday. He doesn’t have the choice but guessing because you have to be really smart when nobody ever tells you anything!
Inspired by Johan Barthold Jongkind (1819-1891) – Banks sight in Paris (1868) – Black stone / Watercolour – 5,43 x 10,35 inch – SOLD
Alexia looks at herself in the bathroom’s mirror. She tries to put some makeup on but her left hand is shaking too much. Her mascara spreads everywhere, on the eyelid, the corner of the eye. To make things short, she looks like shit now. Her cell phone rings again. She won’t answer. What’s the point ? Her best friend Valentine pushed for setting up a party tonight for her 18-year-old birthday. One might say that these are the best days of our lives. For Alexia, it’s another kettle of fish.
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